Exploring the materiality of pigments through the lens of dance and movement, I break away from conventional brushwork, navigating the painting panel through space with dynamic swings and strikes in response to my body's movements. Informed by geoscience, astronomy, and physics, I integrate the laws of motion into my practice, where raw pigments settle into dunes and ridges across the painting plane.
Through reciprocation of motion and impact I look into the ripple effects of human violence and its effect on extreme weather patterns and environmental change. Expanding these inquiries, I explore whether perpetual motion as a meditation can recalibrate the human psyche, fostering mental equilibrium and cultivating a more harmonious resonance with the rhythms of nature.
